Thursday, 12 September 2013

A short biography of the author


 
Francis Allenby was born in Taranto, in 1960. He got the certificate of schoolteacher, but never practised teaching and preferred earning his living with all sorts of jobs. He started painting as a boy and refined his technique at an Art studio. He writes articles as a free commentator and novels. Francis Allenby has published a collection of short gothic stories, THE TALES OF THE STORM, and a novel in Italian: LO STOLTO DI CARDIZZINI (The fool of Cardizzini).

Friday, 23 August 2013

THE TALES OF THE STORM available also at SMASHWORDS

The e-book THE TALES OF THE STORM is now available also at SMASHWORDS and displayed wherever there is a SMASHWORDS selling partner on the web.

Saturday, 10 August 2013

INFORMATION ABOUT THE PURCHASE OF THE BOOK

If you want to buy this e-book and have difficulties with the online process of purchasing you can write to this address: francisallenby@yahoo.com , and you will be provided with all the required clarifications.

Sunday, 4 August 2013

Where can I find this e-book?


You can find the e.book THE TALES OF THE STORM at AMAZON http://www.amazon.com/dp/B00E7XV0MS The price is 2,07 US Dollars (almost 1 Euro 55)

Friday, 2 August 2013

A few words about this blog

This blog has been created as a support to the second edition of my book THE TALES OF THE STORM. Here you will find all the information relevant to this second edition, which is enriched, primarily, by illustrations, made by myself, and by a preface, which seemed to me a must in this case. I hope that those who will decide to read this e-book, or those who have already read it, will visit this virtual space in order to leave a comment: ideas and suggestions that will be useful to improve, because in everything that one does it is always necessary a lot of humility and awareness of a person’s limits. Thank you.

Wednesday, 31 July 2013

An excerpt from the book


The Aura

They looked so dissimilar, though so linked by unmistakable ties.
She was a slim, middle-aged lady, hard-featured and masculine, resolute and firm; he could be nearly seventeen, giving the impression of being undecided and anxious.
That building was rather old, whereas properly maintained.
They had bought a flat there, as it was ‘classy’, according to the opinion of that unappealing woman.
“How comes, Cinio? Don’t you really like this place?” she had asked. “Don’t you know how much this cost us?”
“No, Aunt Ada…it’s not that I don’t like it,” Cinio answered. “Only it looks sad to me...”
“Umf! Nuts! When we’ll put ourselves up, you’ll get used to it. It will be different then!”
And thus she ended her speech.
After Cinio’s father’s death, the child had gone to live with his paternal uncle, Ada’s husband. After his uncle’s departure they had been left alone, enjoying each other’s company, so to speak.
She did not love him, and this was clear; he tolerated her, and also this was patent.
It happened on the first night in the new house, after they had settled in.
That night after dinner, when Cinio had just arranged his own room, he overheard a piece of conversation between Aunt Ada and a friend of hers, Violetta, a careless damsel who had helped with the removal.
“This house is beautiful,” Ada was saying, “but I’ve heard some strange stories about it.”
“What stories?” Violetta chimed in.
“Stories. Stories I would like Cinio not to be aware of–-you know how sensitive he is.”
“Tell me,” her friend insisted, “what do they deal with?”
“It seems,” Ada murmured, “but it only seems, mind my words, that the first inhabitant of this house, a woman, long time ago, died a violent death. Since that tragic day they say the poor soul in torment left her ‘aura’ within these walls. At night she wanders about the rooms, through the corridors, and she can’t rest.”
“Good Lord!” her interlocutor cried out “You are right: I really hope Cinio will never know anything about this. He gets scared so easily!”
Cinio, instead, had heard every single word and that night he could not sleep a wink.
He looked around him, after the clock had just finished striking the twelve hours. The walls were dark, big, and felt like enemies.
He had asked for a small light on, and Aunt Ada, a bit unusual for her normal temper, had agreed his request.
Even better, she had left the door of Cinio’s room open. His room was, in actual fact, at the end of the corridor; nevertheless, this way he could call his aunt without difficulty, if he needed to.
Cinio fixed his eyes on that small beam shining on the bed table.
He hoped he could find some comfort to his fears with it. But that comfort had some inconvenience in coming to him, or it did not come at all.
It was then that he heard a sound from the end of the corridor, a rustle.
He pricked up his ears to make sure it repeated.
Surely it was a trifle.
After all he was not alone in the house; there was Aunt Ada, and she could move and make sounds of that kind.
He tried to cheer up with this, but he was not able to.
The sound, unfortunately, came again.
Maybe leaving the door open was not a good idea.
Conceivably, it would have been better closed, or even better, locked.
But now it was too late.
The noises grew, unless they were a figment of his bothered imagination.
His eyes felt strained as he tried to scan the darkness, barely poking his head out of the sheet.
What he saw was a gleam, like a candle emerging from the end of the corridor.
“Aunt? Is it you?” he asked in a faint voice.
There was no answer.
“Is that you, Aunt Ada?” he said again.
The candle was now moving towards his room, and Cinio could now make out a black form, which was holding the light.
The appearance shifted, silently and slowly, along the corridor. It was so nimble that it seemed, at times, as if it were flying over the floor.
Cinio felt as though his heart would shatter inside his chest. And again he called out, “Aunt!” shivering. But Ada did not answer his appeal.

Short preface to the second edition


When I was a child, if there was a very strong storm, the electric light in my house went off. Consequently, we were forced to go back to the past, and the candles were lit, while the family gathered around them, waiting for the light to come back.
I could not tell the reason why: maybe because that climate brought to mind things of a time gone by, or perhaps because the occasion made ​​it natural, but adults began to narrate mysterious and unexplainable facts and events which had come, by chance, to their knowledge or that they had heard about from someone else in a similar occasion.
I still remember the magic, around the faint light of the flame: the black shadows on the wall, the silence broken only by the soft voice who told the story, creating a thrilling, surreal atmosphere.
Recalling those meetings I wrote these four short stories, all set in the area where I was born and lived: the Mediterranean.
In each of these stories, then, there is a little of myself: my ideas, even my political and social beliefs, with a loving look at the classic British ghost literature, as well as a bit of humor, without exceeding the truculent, as it is, instead, in the modern trend.
Included in the collection, although not part of it, there is also the first story I wrote for the literary review JACK'S MAGAZINE, which I decided to add because its topic corresponds, in many aspects, to that of the other stories.